Echoes From The Semiospheres
Sound, website, computational arts, creative writing
London, UK 2020
EDITORIAL
PROJECTS
I took this polaroid of an angel once (photo, installation)
Three times per day (photo)
Inside is mine (sound, photo, installation)
Feet in Madrid, head in London (photo, book)
MIUG (photo, performance)
Echoes from the semiospheres (sound, text, code)
Stop making sense (film)
Ser de barro (photo, performance, installation)
Oblique (text, performance, code)
TEXT
DIARY
INFO
maite.orbe@gmail.com
@maitedeorbe
PROJECTS
I took this polaroid of an angel once (photo, installation)
Three times per day (photo)
Inside is mine (sound, photo, installation)
Feet in Madrid, head in London (photo, book)
MIUG (photo, performance)
Echoes from the semiospheres (sound, text, code)
Stop making sense (film)
Ser de barro (photo, performance, installation)
Oblique (text, performance, code)
TEXT
DIARY
INFO
maite.orbe@gmail.com
@maitedeorbe
http://echoes.adeadchannel.com/
Project developed in collaboration with Lucie Stepankova, James Treagus, and Pietro Bardini.
Investigating the means by which entities can be defined by their relationships rather than their conventional classification, ‘Echoes from the Semiospheres’ is a multimedia piece resulting from the research of the electrochemical mycorrhizal transmissions of the roots of a peace lily plant and their sonification. Through micro-voltage sensors and digital processing, these frequencies are harvested and manifested in two ways. Firstly, the data are presented in a humanly inaudible form which challenges the anthropocentric views applied to plant intelligence, communal behaviours and non-verbal means of communication and knowledge-making. Secondly, the collected data are programmed to interfere with Claude Debussy’s impressionist piano piece ‘Clair de Lune’ as a demonstration of the existence of these processes and for the audience to hear.
Project developed in collaboration with Lucie Stepankova, James Treagus, and Pietro Bardini.
Investigating the means by which entities can be defined by their relationships rather than their conventional classification, ‘Echoes from the Semiospheres’ is a multimedia piece resulting from the research of the electrochemical mycorrhizal transmissions of the roots of a peace lily plant and their sonification. Through micro-voltage sensors and digital processing, these frequencies are harvested and manifested in two ways. Firstly, the data are presented in a humanly inaudible form which challenges the anthropocentric views applied to plant intelligence, communal behaviours and non-verbal means of communication and knowledge-making. Secondly, the collected data are programmed to interfere with Claude Debussy’s impressionist piano piece ‘Clair de Lune’ as a demonstration of the existence of these processes and for the audience to hear.